once again, I make a blog with the title "Back to work".
this time, however, it actually means something. earlier today I started working on the plugs for the resonators which will allow the aforementioned resonators to be tuned relatively quickly and easily. creating them, however, is easier said than done:
these are the makeshift devices that were used for levering finished disks out of the hole saw. until these were created, it was very difficult to extract the disks due to an unfortunate design flaw of the hole saw.
this is the sheet of MDF/perfboard/whatever its called that I was drilling the plugs out of. You can also see the hole saw & drill press ready for the next hole to be drilled.
these are the nut/bolt/washer combinations that I was planning to use for the plugs. unfortunately, the bolts are too short...
a few ready-cut disks
the first plug. it consists of a foam disk, contained by two wooden disks. the foam looks (and is) rough, and that is one of the first problems than needs to be solved. we are thinking (after a conversation with the same uncle that laser cut the letters) that it might be best to send the foam off to be laser cut again, as this would be a quick and easy solution that would also be very precise.
the first of the larger disks.
last but not least, a comparison of the two disks. Though they don't look that much different from one another, it is easy to tell the difference in sizes by the size of the bolts.
thats all for now! more to come in later days...
Sunday, January 2, 2011
Wednesday, December 15, 2010
Back to work...
It has been a long time since I posted here. Unfortunately, it has also been a few weeks since I got any significant work done on the Marimba. I have been busy over the last few weeks with the Robotics, which will continue for the next six weeks, though I will be able to do some work on the marimba now that the competition is over. Also, my grandparents are in town this week which will enable me to get more work done faster with the assistance of my grandpa.
Wednesday, December 8, 2010
Phase 3 complete
its been a while since I posted here. this is because I haven't done alot of work on the marimba for the last month. this is soon to change, as the winter break will be a good chance to get more work done. next on the list is to create some sort of plug for the resonators and cut them to length... more to come.
Phase 3:
Phase 3:
PERSONAL PROJECT PHASE THREE
Neil Merchant
12/8/2010
To complete my personal project, I used a variety of different designs and strategies.
At the outset of the project, I did not have any clear idea of what I wanted the final project to look like. Even without having a clear, accurate vision of what the final project was going to be like, it was still quite possible because the majority of the guides that I had looked at used the same general dimensions for the bars. Having said that, the first three keys that I cut were unusable because their dimensions do not fit well with any of the final dimensions that we used for the keys, so I am planning to use them either as backups in case any of the keys get damaged or lost, or as models for demonstration purposes of the various stages involved in realising this project. When I finally found the guide from makeamarimba.com, I decided to use that particular plan because of the extent that the guide described how to actually build the marimba—especially the frame—even though I originally did not like the way the marimba described in the guide looked. Originally I had intended to make a marimba with a much more triangular frame, but after finding the aforementioned guide I decided to switch to a design that was more of a combination of the type laid out there and my original plan. An important point to consider is that this is the first marimba I have ever built, so having a guide that contains some detail is very helpful in meeting the deadline that I have for the project, and makes it much easier to realise the final project.
In terms of materials, I had a few choices, a few of which would have had a major effect on my final result. The first material choice that I shall detail here is the choice of wood for the bars. I chose to use padauk[1] for the bars for a variety of reasons: it is recommended by many of the sources that I used, it is a very hard wood (helping it to create a nice sound when struck) and it is relatively inexpensive compared to other similar woods. Aside from this, it is used in many commercial instruments. In terms of marimbas, it is one step down from rosewood which is well known as one of the best woods available for marimbas. Unlike padauk, however, rosewood is very expensive, putting it out of my range for this instrument. Aside from this, padauk just looks good because of its intense color and grain patterns.
Another choice that was similar to the padauk is the material for the frame; I chose to use oak. The main reason for this is, to quote Sir Edmund Hillary, “because it’s there”. Earlier, an oak tree that was standing in the front yard of my house had been knocked down in a wind storm. Instead of burning or shredding the wood, however, we had it made into planks in the hope that sometime in the future we could use it for something. The marimba provided a convenient way to use this wood. I preferred to use this wood for several reasons: I would rather use local wood instead of shipping it from somewhere else, and because it is cheaper to use something I already had than to go and buy more from somewhere else. As well, I found it interesting to be able to turn raw materials (eg. Logs) into something refined. The final reason for using oak is the same as the padauk; the combination of the very light wood of the oak and the dark red wood of the padauk. the similarities in the woodgrain also add to the effect. The final material choice that I will describe here is the resonators. For the resonators, I decided to use two different types of pipe: PVC and ABS. the PVC is used for the larger pipes, where the ABS is used for the smaller because it comes in more convenient sizes.
In terms of design changes, I went through several during the process of creating this marimba, most due to material or tool-related problems. As I described before, the frame of the marimba went through several different versions before settling on one final version. As well, I have had problems with jointers. Throughout the process of creating the frame, I have managed to break three jointers, two with in the first five minutes of use. I believe this was due to a problem in the manufacture of the tools, but it set me back quite a while regardless. Another unintentional change of method was predrilling. At the beginning, I intended to use three separate drill bits to drill each hole; one thinner long one, one shorter thicker one, and one countersink. This plan quickly changed for two reasons: one, it would take way more time than I have to drill every hole this many times, and two, I found a single drill bit that tapered to a countersink, allowing me to drill each hole only once. The final major design change that I went through was the caps for the pipe. Originally I intended to use PVC pipe caps and PVC glue to seal the resonators, but this system has two major disadvantages. PVC glue is a risky thing to use because it will bond the two pieces of plastic in around 10 seconds. This is a bad thing because it does not allow much time to get the tuning of the pipes right. Aside from that, PVC caps cost about $2 each, making the total price for all of them that I would need greater than the total cost of the keys themselves. This is unacceptable. I have a few ideas for what I will use to seal the pipes, but as of yet do not have a final design prepared.
I am finding this project particularly satisfying to complete. It is very satisfying to be able to take a rough plank of wood (the form that the padauk was in) and turn it into a key, which can create a beautiful sound. As well, I have learned a variety of new skills during the process of creating the marimba: how to properly operate a variety of sanders, how to use a tuner, how to cut plastic pipe, and how to use a variety of power saws.
Throughout the project, there were several happenings which made it difficult to stay on track. Even with these problems, however, I have managed to keep to an approximate schedule and am on track to finish the project in time.
[1] The spelling of this word is debatable. I choose to spell it with an –auk; it is also correct to spell it –ouk or –oak.
Tuesday, November 9, 2010
Stage 2- Final Version
Annotated Bibliography
Neil
Banek, Reinhold, and Jon Scoville. Sound Designs. Berkeley: Ten Speed, 1980. Print. this is the book that i used as one of my first resources. it was a good first guide, but most of the information in it is obsolete by now because of its age. There is, however, some useful information about the different types of wood, how to cut them, and which ones make the best sound.
“Build Your Own Marimba and Wrap Your Own Mallets!” Instructables. N.p., n.d. Web. 12 Oct. 2010. . This website is perhaps the most useful to me for this project. it was the first inspiration for it, and has continued to be something that I refer to whenever I am uncertain about something, as it contains good information about everything concerning marimbas apart from the frame, which it did not give a detailed description of.
Grealy, Boyd. Personal interview. 9 Oct. 2010. Though I probably didn’t use this resource as effectively as I could have, Mr. Grealy was still helpful in learning how to construct the resonators. Because of the astronomical price of PVC pipe caps, (1-2 dollars each) it is impractical to use these as the price would be higher than the pipes themselves.. Mr. Grealy was helpful with his explanation of how this is done on the marimbas at school, specifically how to seal a cap and get the distinctive buzz of a marimba.
La Favre, Jeffery. “The La Favre 5-Octave Marimba.” The La Favre 5 Octave Marimba. N.p., 2007. Web. 15 Sept. 2010. . I used this site for several purposes: figuring out the rough dimensions of the bars and arches, figuring out the length and diameters of the resonators, and help finding the nodes of the bars. It was also an interesting demonstration of what can be done with this sort of a project given enough time and resources.
Ludin-Scheer, Bonny. “Our Bass Marimba.” Crafty Music Teachers. N.p., n.d. Web. 12 Oct. 2010. . this website was one of the other early ones for me. It often seems to be just a pitch for a book, but it does have some value in terms of the choices about wood, and was one of my first resources related to wrapping mallets. As well, it has interesting information pertaining to how to protect the bars of a marimba against sun and weathering.
“Marimba.” Wikipedia, the free encyclopedia. N.p., 17 Oct. 2010. Web. 20 Oct. 2010. . This is a very basic article on the marimba, as one would expect from Wikipedia. It is helpful, however, for providing a rough outline of the history of the marimba. It does not have information pertaining to the construction of the marimba.
McCarthy, Jim. “Project 3.” N.d. PDF file. This document is the main guide that I’m using to build the marimba. it is a semi complete guide to building a marimba, including the frame, keys, and resonators. it comes from the website www.makeamarimba.com. It is pitched as a standalone guide, however it is missing some key information about the sizes of keys and resonators.
- - -. Super Fast Marimba Building. YouTube. N.p., 29 Nov. 2007. Web. 29 Oct. 2010. . This video is a demonstration of how to build the marimba described in the previous reference. It is very useful as a companion to the above guide.
Seburn, Leonard. Personal interview. 22 Aug. 2010. One of the greatest resources available to me was Mr. Seburn. Not only did he share his substantial knowledge of woodworking (including how to use a band saw, the bets ways for sanding away wood, and how to use a planer), but he allowed me the use of his entire workshop for the tuning of the keys. He was also helpful for acquiring tools; we borrowed a planer from one of his carving friends.
Seburn, Ruth. Personal interview. 11 Aug. 2010. Though not a major source, Ruth was a resource about the different types of wool available, and the best ones to use for wrapping the mallets.
Saturday, October 16, 2010
Alright, Good news-Bad news time...
The title says it all.
the good news is that I lined up the keys on the frame to get an idea of how it would all fit together, and it looks great.
the bad news is that I appear to be missing a key...
also, the other day we got the aluminum struts for holding up the resonators, and the eyelets for supporting the bars:
the good news is that I lined up the keys on the frame to get an idea of how it would all fit together, and it looks great.
the bad news is that I appear to be missing a key...
also, the other day we got the aluminum struts for holding up the resonators, and the eyelets for supporting the bars:
Tuesday, October 12, 2010
Stage 2- another work in progress
Annotated Bibliography
Banek, Reinhold, and Jon Scoville. Sound Designs. Berkeley: Ten Speed, 1980. Print. this is the book that i used as one of my first resources. it was a good first guide, but most of the information in it is obsolete by now.
“Build Your Own Marimba and Wrap Your Own Mallets!” Instructables. N.p., n.d. Web. 12 Oct. 2010. . This website is prehaps the most useful to me for this project. it was the first inspiration for it, and has continued to be something that I refer to whenever I am uncertain about something.
La Favre, Jeffery. “The La Favre 5-Octave Marimba.” The La Favre 5 Octave Marimba. N.p., 2007. Web. 15 Sept. 2010. . I used this site for several purposes: figuring out the rough dimensions of the bars and arches, figuring out the length and diameters of the resonators, and help finding the nodes of the bars.
Ludin-Scheer, Bonny. “Our Bass Marimba.” Crafty Music Teachers. N.p., n.d. Web. 12 Oct. 2010. . this website was one of the other early ones for me. It often seems to be just a pitch for a book, but it does have some value in terms of the choices about wood, and was one of my first resources related to wrapping mallets.
McCarthy, Jim. “Project 3.” N.d. PDF file. This document is the main guide that i’m using to build the marimba. it is a semi complete guide to building a marimba, including the frame, keys, and resonators. it comes from the website www.makeamarimba.com.
this is my current stage 2. i'm not certain how to cite primary resources (such as grandparents), so I still need to add that. aside from that, however, I think its pretty much done. Feedback?
Monday, October 11, 2010
Back again
just came back from a weekend trip to the island, where i took the opportunity to use grandpa's workshop again to finalize the tuning of all the notes. it went pretty smoothly, as they were all (with the exception of one) within about 30 cents of the target note. By now they are all at max 1-3 cents out; the accepted range of deviation is about 20 cents. unfortunatly, i don't have any pictures, as the camera was forgotten at home.
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